The Signal and the Noise, Sandy Winters

Artwork Overview

The Signal and the Noise, Sandy Winters
The Signal and the Noise, Sandy Winters
Sandy Winters
The Signal and the Noise
2014–2018
Sandy Winters, artist
born 1949
The Signal and the Noise, 2014–2018
Where object was made: United States
Material/technique: block print; collage; graphite; conté; flashé acrylic paint; paper; foam core board; birch plywood; newspaper
Credit line: Courtesy of the artist
Accession number: EL2018.012.02
Not on display
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Images

Label texts

Big Botany: Conversations with the Plant World

The myth of Dionysus has been a unifying theme in Winters’s work for decades. The Greeks associated the grapevine with Dionysus, in part, because the cutting of the vine makes possible a bountiful harvest each season. The Signal and the Noise depicts an organic tree-like structure emerging from a print block, surrounded by several other block prints and abstract organic characters inhabiting the landscape.

Big Botany: Conversations with the Plant World

The myth of Dionysus has been a unifying theme in Winters’s work for decades. The Greeks associated the grapevine with Dionysus, in part, because the cutting of the vine makes possible a bountiful harvest each season. The Signal and the Noise depicts an organic tree-like structure emerging from a print block, surrounded by several other block prints and abstract organic characters inhabiting the landscape.

Exhibitions

Big Botany: Conversations with the Plant World
Stephen Goddard, curator
2018
Big Botany: Conversations with the Plant World
Stephen Goddard, curator
2018