Francisco de Goya | Spencer Museum of Art

Spencer Museum of Art

Info for

my portfolio logout

Place of Birth: Fuentetodos, Spain

Date of Birth: March 30, 1746

Place of Death: Bordeaux, France

Date of Death: April 16, 1828

Works of Art: 23

Francisco de Goya (1746–1828), Al toro y al aire darles calle (Make Way for Bulls and Wind) / Disparate de Tontos (Fool's Folly)

Al toro y al aire darles calle (Make Way for Bulls and Wind) / Disparate de Tontos (Fool's Folly), 1816–1824

Francisco de Goya (1746–1828), Populacho (The Mob)

Populacho (The Mob), 1810–1815

Francisco de Goya (1746–1828), Bárbaros! (Barbarians), plate 38

Bárbaros! (Barbarians), plate 38, 1810–1815

Francisco de Goya (1746–1828), Brabisimo! (Bravo!)

Brabisimo! (Bravo!), 1799

Francisco de Goya (1746–1828), Tan bárbara la seguridad como el delito (The Custody is as Barbarous as the Crime); Little Prisoner

Tan bárbara la seguridad como el delito (The Custody is as Barbarous as the Crime); Little Prisoner, circa 1813–1820

Francisco de Goya (1746–1828), Hizonos Dios y Maravillamos Nos (It is Amazing-and we were made by God) / Disparate Furioso (Furious Folly)

Hizonos Dios y Maravillamos Nos (It is Amazing-and we were made by God) / Disparate Furioso (Furious Folly), mid 1700s–early 1800s

Francisco de Goya (1746–1828), Donde hay ganas hay mana: Modo de volar (Where there's a will there's a way: Way of flying)

Donde hay ganas hay mana: Modo de volar (Where there's a will there's a way: Way of flying), 1819–1823

Francisco de Goya (1746–1828), No Quieren (They Do Not Want To), plate 9

No Quieren (They Do Not Want To), plate 9, 1810–1815

Francisco de Goya (1746–1828), Y no hai remedio (And There Is No Remedy)

Y no hai remedio (And There Is No Remedy), 1810–1815

Francisco de Goya (1746–1828), No se puede mirar (One Can't Look), plate 26

No se puede mirar (One Can't Look), plate 26, 1810–1815

Francisco de Goya (1746–1828), Bárbaros! (Barbarians), plate 38

Bárbaros! (Barbarians), plate 38, 1810–1815

Francisco de Goya (1746–1828), Todos Caerán (All Will Fall)

Todos Caerán (All Will Fall), 1797–1799

Francisco de Goya (1746–1828), Tampoco (Nor This Time), plate 36

Tampoco (Nor This Time), plate 36, 1810–1815

Francisco de Goya (1746–1828), Será lo mismo (Much the Same), plate 21

Será lo mismo (Much the Same), plate 21, 1810–1815

Francisco de Goya (1746–1828), Otra locura suya en la misma plaza (Another Stunt by Martincho in the Same Ring)

Otra locura suya en la misma plaza (Another Stunt by Martincho in the Same Ring), 1815–1816

Francisco de Goya (1746–1828), Modo con que los antiguos Españoles cazaban los toros á caballo en el campo (How the Original Spanish Hunted Bulls on Horseback in the Wild)

Modo con que los antiguos Españoles cazaban los toros á caballo en el campo (How the Original Spanish Hunted Bulls on Horseback in the Wild), 1815–1816

Francisco de Goya (1746–1828), Estan Calientes (They Are Hot)

Estan Calientes (They Are Hot), 1799

Francisco de Goya (1746–1828), Reniego al amigo que cubre con las alas y muerde con el pico (Renounce the friend who covers you with wings and bites you with his beak) / Disparate Volante (Flying Folly)

Reniego al amigo que cubre con las alas y muerde con el pico (Renounce the friend who covers you with wings and bites you with his beak) / Disparate Volante (Flying Folly), 1864

Francisco de Goya (1746–1828), Ni mas ni menos (Neither More nor Less)

Ni mas ni menos (Neither More nor Less), 1797–1798

Francisco de Goya (1746–1828); Diego Rodriguez Velasquez (1599–1660), Gaspar Guzman, Conde-Duque de Olivares

Gaspar Guzman, Conde-Duque de Olivares, 1778

Francisco de Goya (1746–1828), A caza de dientes (Out Hunting for Teeth)

A caza de dientes (Out Hunting for Teeth), 1797–1798

Francisco de Goya (1746–1828), El esforzado Rendon picando un toro, de cuya suerte murió en la plaza de Madrid (The Forceful Rendon Stabs a Bull with the Pique, from Which Pass He Died in the Ring at Madrid)

El esforzado Rendon picando un toro, de cuya suerte murió en la plaza de Madrid (The Forceful Rendon Stabs a Bull with the Pique, from Which Pass He Died in the Ring at Madrid), 1815–1816

Francisco de Goya (1746–1828), El sueño de la razón produce monstruos (The Sleep of Reason Produces Monsters)

El sueño de la razón produce monstruos (The Sleep of Reason Produces Monsters), circa 1799

Exhibitions: 15

The Organizers of the Armory Show: The New Spirit

1964

Prints and Drawings from the University of Kansas Museum of Art

1977

Alumni Gifts to the University of Kansas Museum of Art

1973

Teaching Gallery: Spanish

2009

Brosseau Center for Learning: Art and Physics of Flight

Kate Meyer, curator

2024

Teaching Gallery: Art History Survey

2009

Teaching Gallery: HA 100/300 19th Century European and American

2011

Brosseau Center for Learning: Visualizing War and Peace in Western Art

2017

Brosseau Center for Learning: War and Peace

2018

Teaching from Prints: The Legacy of John Talleur

Stephen Goddard, curator

2003–2004

Brosseau Center for Learning: Western Art History Survey 2021

2021

Teaching Gallery: 19th Century Photos & Prints

2008

Recent Acquisitions in Works on Paper

Stephen Goddard, curator
John Pultz, curator

1996

Brosseau Center for Learning: War and Peace in Western Art 2020

2020

Brosseau Center for Learning: Comparative Animal Behavior

2022