Calypso Contemplating the Departure of Ulysses, Angelica Kauffman

Artwork Overview

1741–1807
Calypso Contemplating the Departure of Ulysses, 1775–1778
Where object was made: Switzerland
Material/technique: oil; copper
Dimensions:
Canvas/Support (Height x Width x Depth): 26.5 x 20.7 cm
Canvas/Support (Height x Width x Depth): 10 7/16 x 8 1/8 in
Credit line: Gift of Dorothea Simpson Meriwether
Accession number: 1996.0179
On display: Michaelis Gallery

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Images

Label texts

Women abandoned by men in ancient Greek mythology, such as the island nymph Calypso, were a popular subject for Angelica Kauffmann’s paintings. Her innovative depictions of femininity and female agency focus on the thoughts, emotions, and power of female protagonists. These often generic representations can be understood in some ways as a self-portrait of the highly accomplished artist, conveying her resilience and ability to realize her professional ambitions in a male-dominated field.

Additional label content:
In the ancient Greek epic poem The Odyssey attributed to Homer (eighth century BCE), the hero Odysseus (Latin name Ulysses) seeks to return to his kingdom of Ithaka following the Trojan War. On the way, he shipwrecks on the island of Ogygia, the home of the nymph Calypso, who falls in love with him. She promises him eternal youth and immortality if he remains with her. After seven years together, he abandons her and resumes his travels to return to his wife Penelope, a figure that Angelica Kauffmann also painted. Kauffmann’s portrayals of Calypso and Penelope feature among her most popular works and connect to themes about female loyalty, loss, and fortitude.

Exhibitions

Susan Earle, curator
Celka Straughn, curator
Kristina Walker, curator
Angela Watts, curator
2022–2027
Susan Earle, curator
Celka Straughn, curator
Kristina Walker, curator
Angela Watts, curator
2022–2027