Japanese Quest for a New Vision: The Impact of Visiting Chinese Painters, 1600-1900

Exhibition

Exhibition Overview

Japanese Quest for a New Vision: The Impact of Visiting Chinese Painters, 1600-1900
Japanese Quest for a New Vision: The Impact of Visiting Chinese Painters, 1600-1900
White Gallery, Spencer Museum of Art, University of Kansas, Lawrence, Kansas

By the seventeenth century, China had already developed a rich heritage of scholar painting, with special techniques, styles, and theoretical background already established. Yet it was not until the beginning of the eighteenth century that Japanese artists took up the literati tradition, which was given the name Nanga (southern painting). This exhibition of 52 works, mostly hanging scrolls, by visiting Chinese artists and the Japanese artists who were influenced by the literati style, includes Mount T'ien-t'ai, a dated scroll by the Chinese merchant I Fu-chiu. All the works in the show are gifts to the Spencer Museum from the Mitchell Hutchinson Collection. A catalogue of the exhibition edited by Stephen Addiss will be published by the Spencer Museum.

Exhibition images

Works of art

Chen Yuanyun
1587–1671
Yi Fujiu
early 1700s, Qing dynasty (1644–1911)
Yi Fujiu
early 1700s, Qing dynasty (1644–1911)
Yi Fujiu
1742, Qing dynasty (1644–1911)
mid 1700s, Edo period (1600–1868)
Noro Kaiseki
late 1700s–early 1800s, Edo period (1600–1868)
Kameda Bōsai
late 1700s–early 1800s, Edo period (1600–1868)
Takaku Aigai, Yi Fujiu
early 1800s, Edo period (1600–1868)
Shen Quan
1725–1760, Qing dynasty (1644–1911)
Dapeng
1700s
Fang Ji
1700s
Noguchi Yūkoku
1871, Meiji period (1868–1912)
Tsubaki Chinzan
1828, Edo period (1600–1868)
Taki Katei
1879, Meiji period (1868–1912)
Sugai Baikan
1829, Edo period (1600–1868)
Kinoshita Itsuun
1859, Edo period (1600–1868)
Nakayama Kōyō
mid 1700s, Edo period (1600–1868)
Kushiro Unsen
late 1700s–early 1800s, Edo period (1600–1868)